In the Ouzel Valley Park, Milton Keynes

The North Bucks Wanderer (that’s me, folks) will be taking some time off, so there will be no post next week. But I will back to regular posting on Wednesday 8th of January, two weeks from today. (I’m posting this on Christmas Eve)

I will be selecting some of my favourite photos for an end of year revue on that first post of the New Year. Many will be ones already published in this year’s posts.

But a few will be photos that couldn’t be used although I liked them, usually because the post was already too long. There might even be a few photos from my archives, just because I want to show you them,like the first three photos here.

If you look closely, you’ll see that the first two are of the same tree. These two and the next one were taken in the Ouzel Valley Park, in Milton Keynes. The last one was taken just last week, at the tiny village of Grove, right on the edge of the county. It’s the lock keeper’s cottage.

Happy Christmas and all that. There will be some of you out there who find this time of year to be rather a struggle. To you especially, my best wishes.

It's that tree again.

Though this seems to be out in the country, these trees are also in the Ouzel Valley Park, in the middle of Milton Keynes.

The lock keeper's cottage, Grove.

Here’s a few shots from last week. There's a bit of a theme...

This is the Pebble Alcove in the 18th Century gardens of Stowe. It was built in about 1737 and decorated like an Italian grotto; coloured pebbles are set into the rendering. It’s very charming, and as we found on a family picnic, the alcove is practical too; it can hold quite a few people when it rains.

Later that day I was at Willen in Milton Keynes, for Hiroshima Day the 6th August each year. Usually the lantern ceremony is up at the Peace Pagoda, (in the background) then the lanterns are taken down the steps and floated out on to the Lake. This year, because of the dodgy weather, the ceremony was in the temple.
I stood and waited for the lantern procession and watched the cyclists.

Tales From the (damp) Edge

I finished the job in Ampthill last Thursday, just as the rain started. I looked on the map to see what I could take a picture of in the much needed rain, and spotted Woburn Sands railway station. By the time I had driven to Woburn Sands it was raining so hard I didn’t want to get out of the car. After weeks of nothing but roasting hot weather, I hadn’t thought to bring a coat.

I sat in the car in a side street near the railway station, just inside the county border with Beds. I checked that the camera was ready while I waited. The rain eased off, and I walked briskly across the road and onto the Eastbound platform.

The next train was due in fifteen minutes. I stood in the shelter. My plan was to photograph passengers getting on or off the train while the rain lashed down, but the rain was easing. A passenger waiting on the platform glanced at the sky and happily commented that it was brightening up. I looked up and scowled.

Look at this. The flippin’ platform is nearly dry! Lovely aerial
perspective, though.

The train arrived. It wasn’t raining. I took a photo of it drawing in. I also took a few shots of the passengers, but as people just getting on a train in nondescript weather aren’t very interesting, I’m not going to show you those. What I’m going to show you is aerial perspective.

Aerial perspective is that softening and blurring of detail in the landscape, the further away it is. It’s due to moisture and/or dust in the air. There hasn’t been a lot of moisture in the air recently, but probably quite a bit of dust.

In the main picture, if you look down the line into the distance you can see it quite, er, clearly; the tones are more muted, and in the far distance the hills look grey blue. This effect is often more noticeable after rain, and you can see it better in the detail photo below. Next time you go out, look out for it.

Here’s a close up. Even the trees in the foreground are softened
and muted. The effect becomes more and more noticeable as
distance increases. Beyond the bend in the track, details disappear
and the land at the horizon is a muted blue green.